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Mitchell Johnson: Color Lessons (2011), by Mitchell Johnson, Peter Campion
Ebook Free Mitchell Johnson: Color Lessons (2011), by Mitchell Johnson, Peter Campion
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This 2011 catalog of Mitchell Johnson's paintings includes 40 color plates. American poet, Peter Campion, interviews Johnson about his studio practice and approach to color. This popular 48 page catalog accompanied exhibitions in San Francisco and Menlo Park. Johnson's paintings have appeared in ARTnews, Art in America, the NY Times Magazine, American Artist, Oprah's Next Chapter, The Mindy Project, Southwest Art, San Francisco Magazine, Provincetown Arts, Cape Arts Review, ArtScope, Art Ltd., Modern Painters, The NY Times T Magazine, Sunset Magazine, Gentry, The Huffington Post, American Contemporary Art, and many feature films including The Holiday (2006), It s Complicated (2009), The Lodger (2009), and Crazy Stupid Love (2011). Based in Silicon Valley, Mitchell Johnson moved to California in 1990 after completing his MFA at Parsons School of Design in New York City. Johnson was heavily influenced by his NY teachers Paul Resika, Leland Bell, Larry Rivers, Robert DeNiro, Sr., John Heliker and Nell Blaine many former students of Hans Hofmann. Johnson divides his time between his California studio and his favorite painting locations in Italy, France, Cape Cod and Denmark. His paintings can be found in over 700 collections including the Fine Arts Museums of San Francisco, the New Mexico Museum of Art, the Frederick R. Weisman Museum at Pepperdine, New Britain Museum of American Art, the Ogunquit Museum of American Art and the Federal Reserve Board in Washington, DC. Johnson s work has been the subject of solo exhibitions in San Francisco, Los Angeles, St. Helena, Portland, New York, Oakland, Palo Alto, Menlo Park, Washington, DC and Kansas City. He is represented by I. Wolk Gallery, Ma(i)sonry Napa Valley, Schoolhouse Gallery and FilmArt LA. All thirteen of his publications are for sale at Amazon.com. He is married to the writer, Donia Bijan.
- Sales Rank: #1607119 in Books
- Published on: 2011-04-30
- Binding: Perfect Paperback
- 48 pages
About the Author
Mitchell Johnson is an artist based in Silicon Valley. Mitchell Johnson's paintings have appeared in ARTnews, Art in America, the NY Times Magazine, American Artist, Oprah s Next Chapter, The Mindy Project, Southwest Art, San Francisco Magazine, Provincetown Arts, Cape Arts Review, ArtScope, Art Ltd., Modern Painters, The NY Times T Magazine, Sunset Magazine, Gentry, The Huffington Post, American Contemporary Art, and many feature films including The Holiday (2006), It s Complicated (2009), The Lodger (2009), and Crazy Stupid Love (2011). Based in Silicon Valley, Mitchell Johnson moved to California in 1990 after completing his MFA at Parsons School of Design in New York City. Johnson was heavily influenced by his NY teachers Paul Resika, Leland Bell, Larry Rivers, Robert DeNiro, Sr., John Heliker and Nell Blaine many former students of Hans Hofmann. Johnson divides his time between his California studio and his favorite painting locations in Italy, France, Cape Cod and Denmark. His paintings can be found in over 700 collections including the Fine Arts Museums of San Francisco, the New Mexico Museum of Art, the Frederick R. Weisman Museum at Pepperdine, New Britain Museum of American Art, the Ogunquit Museum of American Art and the Federal Reserve Board in Washington, DC. Johnson s work has been the subject of solo exhibitions in San Francisco, Los Angeles, St. Helena, Portland, New York, Oakland, Palo Alto, Menlo Park, Washington, DC and Kansas City. He is represented by I. Wolk Gallery, Ma(i)sonry Napa Valley, Schoolhouse Gallery and FilmArt LA. All thirteen of his publications are for sale at Amazon.com. He is married to the writer, Donia Bijan.
Most helpful customer reviews
7 of 7 people found the following review helpful.
"We should do what we don't know'
By Grady Harp
Mitchell Johnson continues to be one of the more erudite minds in contemporary art as well a being tremendously successful in both abstraction and representation painting. COLOR LESSONS is once again a highly sophisticated book/catalogue in a growing line of fine books about the art and mind of Mitchell Johnson. In this book filled with richly reproduced images of Johnson's work there is a conversation between the artist and Peter Campion, poet, writer and teacher at Stanford University - an interesting re-visit from a catalogue interview between these two articulate men from 2005. At that time Mitchell Johnson was not a household word or on the lips of fellow artists: now he is.
The 'why' of the increased visibility of the art of Mitchell Johnson is in part attributed to the multiple exhibitions of his art both in the USA and in Europe: it is in larger part due to the increasing sophistication of his art. Johnson has always moved comfortably between his signature abstract paintings - singularly beautiful and majestic blocks of color so sensitively juxtaposed that a quick glance is soon altered into a prolonged examination: there appear to be stories within the colors that seduce the viewer to explore - and his seemingly straightforward scenes of houses in landscapes, figures in groups, vistas of untainted land in Denmark, Tuscany, France, Cape Cod, and of course his own home in Northern California. He gathers palette ideas in every location that finds his visit and then creates from those new parcels of visual data even more complex works in studio, sometimes built as blocks of color that construct his representational or as simply color for color's sake that inform his abstract paintings.
In this exceptional catalogue the reader will be exposed to almost every thought plane the artist explores. But the images where he willingly shares the marriage between abstraction and representation - paintings such as 'Giant Truro', 2008-2011 and even more obviously in the stunning panorama 'Near Clecy', 2008-1011 - is yet another aspect of the humanity of Mitchell Johnson. No secrets or occult dichotomies here, but instead simple explanations of how he thinks and traverses the path between seemingly simple blocks of color and sharing places of houses and land and people he has noted.
In the well-transcribed interview Johnson contrasts Aristophanes ('Let each man exercise the art he knows') with fellow artist Paul Resika ('We have to keep trying to do what we don't know how to do'), and after taking the journey through this spectrum of art as beautifully presented in this catalogue, the path Johnson is taking is obvious! He simply grows more sophisticated in technique in a way that brings his audience deeper into the canvases he creates. Grady Harp, May 11
1 of 1 people found the following review helpful.
mitchel johson; color lessons
By M. Bowles
Mitchell Johnsons ,Color Lessons is a book every artist, collector, novice,could learn from.. from his instinct about color,to the definition of color. The ability he shows to go back and forth and the inbetween, representational work and abstraction with color theory being used as a vocuabulary...The unique application seems effortless, yet to study his work, you realize the depth of this artist. It is all there in every painting. His talent is immense. His knowledge is immense and the way he explains it in a relaxed manner, makes just more comfortable, and as relatable as his paintings. The more you look at this work the more you are able to discover. mark bowles
1 of 1 people found the following review helpful.
i love Mitchell Johnson's Art & Color Lessons!!!!
By mhartstudio
Mitchell Johnson's work Is fresh, clear, open and gives a sense of being there yourself. His color choices and knowledge of color is exciting and stimulating to the viewer. he is generous with his art and art lessons. I recommend this book highly for the novice or accomplished artist! mary hunter, artist, Austin, TX
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