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Optical Physics by Lipson, Ariel, Lipson, Stephen G., Lipson, Henry [Cambridg...

• Binding: Hardcover

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[Z985.Ebook] Ebook Download Business in the Cloud: What Every Business Needs to Know About Cloud Computing, by Michael H. Hugos, Derek Hulitzky

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A close look at cloud computing's transformational role in business

Covering cloud computing from what the business leader needs to know, this book describes how IT can nimbly ramp up revenue initiatives, positively impact business operations and costs, and how this allows business leaders to shed worry about technology so they can focus on their business. It also reveals the cloud's effect on corporate organization structures, the evolution of traditional IT in the global economy, potential benefits and risks of cloud models and most importantly, how the IT function is being rethought by companies today who are making room for the coming tidal wave that is cloud computing.

• Why IT and business thinking must change to capture the full potential of cloud computing
• Topics including emerging cloud solutions, data security, service reliability, the new role of IT and new business organization structures
• Other titles by Hugos include: Business Agility: Sustainable Prosperity in a Relentlessly Competitive World and Essentials of Supply Chain Management, 2nd Edition

Practical and timely, this book reveals why it's worth every company's time and effort to exploit cloud computing's potential for their business's survival and success.

• Sales Rank: #732020 in eBooks
• Published on: 2010-09-24
• Released on: 2010-09-24
• Format: Kindle eBook

From the Inside Flap

Praise for Business in the Cloud

"In Business in the Cloud, Michael Hugos and Derek Hulitzky explain the many changes that cloud computing is bringing to technology, organizations, and industry ecosystems.? Their book is a tutorial written in simple language to help readers understand the potential of the cloud to transform every industry in the years ahead.? Business in the Cloud is highly recommended for anyone who wants to take advantage of the many opportunities being brought by cloud computing to business and society." —Irving Wladawsky-Berger, Chairman Emeritus, IBM Academy of Technology; Strategic Advisor, Citigroup; Visiting Professor, MIT; Visiting Professor, Imperial College

"Business in the Cloud is a concise but informative insight into cloud computing, is a great tutorial to quickly educate yourself (without vendor biases) on the options and capabilities of cloud computing, and should be read by all business and IT leaders responsible for their organization's infrastructure." —Dan Agronow, Chief Technology Officer, The Weather Channel Interactive, Inc. (TWCi)

"Business in the Cloud is an excellent resource to help business leaders think through the practical implications of how to best leverage the technical infrastructure required to thrive in the 21st century." —Larry Bonfante, Chief Information Officer, United States Tennis Association; Founder, CIO Bench Coach, LLC

"A comprehensive work covering all facets to consider for the delivery of business solutions, opportunities, and customer satisfaction,?Business in the Cloud?is a must read for all business executives tasked with leading in today's technology-mandated world." —Michael J. Twohig, Executive Vice President and Chief Administration Officer, Clean Harbors Environmental Services, Inc.

"Business in the Cloud does a great job of translating the real life thinking and effort required to adopt cloud computing—and captures the profound change potential across technology infrastructure, applications, and IT professionals." —David Giambruno, Senior Vice President and Chief Information Officer, Revlon; 2009 CTO of the Year – InfoWorld

From the Back Cover

Whether you like it or not, information technology is now mission-critical to every step your business takes. Unlike a few years ago when we left technology to the geeks, computing now gushes from the invisible woodwork and is covering the global psyche with a sea of expectations. Consumers, business-to-business customers—even your own employees—expect your products and services to cater to a technology-spoiled society. In business, only those who adapt to this ubiquitous, always-on technology will survive. Cloud computing has emerged as a pivotal driver in this equation.

In Business in the Cloud, authors Michael Hugos and Derek Hulitzky draw on their experience in business and technology to illustrate how cloud computing can transform your organization while they clearly define the many financial and efficiency benefits of this new computing model. They show how it can be quickly rolled out, scaled up to handle increased volume if business takes off, or easily scaled back to cut costs if business changes. It allows companies to replace capital expenses with operating expenses, and enables companies to directly align operating expenses with revenue to protect cash flow and operating profits. A critical lynchpin to any organization operating in high change, unpredictable environments, cloud computing ultimately allows companies to focus their technology energies and investments on what matters most. By moving some applications and services to the cloud, it allows businesses to concentrate on devising even newer ways to find customers and profits.

Loaded with case studies and insights from industry thought leaders and practitioners, Business in the Cloud explores:

• The new role of information technology

• A renewed focus on using technology for profit and competitive advantage

• Using the cloud for business advantage

• A cloud-based model for business organizations

• Implications of the transition to cloud computing

• Key technologies used in cloud computing

• What to look for in a good service provider

• Cyber threats and perimeter security in cloud computing

• Public, private, and hybrid clouds

• Five profit enablers driving business to the cloud

• New economic engines for growth

• Real-time global collaboration

• New realities and new opportunities

As a business leader, do you know what cloud computing is? Do you feel compelled to understand it? You should. With constantly changing technologies to choose from, cloud computing is the bridge across a sea of change where every company now weaves technology into their communications, products, and processes. Experts agree that cloud computing is the largest revolution in decades in how people and companies will consume and use technology. And every business leader—not just the CIO—needs to understand it.

Designed for business leaders to absorb the often-vague concept of cloud computing, Business in the Cloud delivers a critical foundation to not only understand it, but also put it to work.

About the Author

Michael Hugos, Principal at the Center for Systems Innovation [c4si], writes, speaks and consults on strategies for IT and business agility and mentors development teams. He spent six years as CIO of a multibillion?dollar distribution cooperative developing a suite of supply chain and business systems, transforming the company's operations and revenue model. He won the CIO 100 Award and Premier 100 Award for his work, and is also author of Essentials of Supply Chain Management and Business Agility.DEREK HULITZKY, Vice President of Content Development at a global technology media company, is a keen industry watcher with an intense focus on how CIOs and companies manage their technology teams and responsibilities. A seasoned technology marketer, he is an accomplished event and panel moderator with?a rich background in technology content creation, audience development, and management.

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3 of 3 people found the following review helpful.
"Business in the Cloud...Computing"...The Transition from Managing Technology to Managing Business Processes!
By Michael GreenGold
"Business in the Cloud...Computing" is an excellent,clear & easy to understand guide designed for a broad audience of business & technical leaders to balance the needs for a comprehensive framework to understand Cloud Computing and its Business Impact with the need for a simple & direct discussion of the key points without delving so deeply into specific details!
"Business in the Cloud...Computing" is divided into three parts. The first two chapters provide a basis for understanding current organizational & economic changes / realities! The next six chapters define Cloud Technology,strategies,tactics and lessons learned-to-date! Chapter six - The Transition from Managing Technology to Managing Business Processes is very direct & relevant! The last two chapters expand upon the information in previous chapters to the Business Impact of Cloud Computing & Global Implications of the Cloud!
"Business in the Cloud...Computing" is designed to clarify the often-vague concept of Cloud Computing to not only understand it but to put it to work!...Please review & use...All Cloud Innovators & Builders...Michael.Business in the Cloud: What Every Business Needs to Know About Cloud Computing

3 of 3 people found the following review helpful.
Thought-provoking book
By Gopal Khaitan
The book provides compelling arguments for IT organizations / Corporations to accelerate adoption of Cloud computing to align IT budgets with the business's focus and direction. The Cloud model is inevitable in order for companies to reduce IT fixed costs / capital expenses and replaces them with operating expenses which would provide ability to scale in conformance with the business needs. Even though there are some valid concerns e.g. data security, privacy which need to be addressed by the providers, the ability for this model to make the organization agile and more responsive to business needs is undeniable.

Historical analogy with Chicago skyscrapers and gradual transformation of their power needs is quite relevant and thought-provoking. Also, the comparisons to the early years of Internet evolution and initial reluctance to its adoption are interesting similarities.

2 of 2 people found the following review helpful.
Finally, someone with something substantive to say about Cloud Computing
By Bob Murphy
If I hear one more person opine that Cloud Computing is just a fad, or just another name for time-sharing, well, never mind.

Hugos & Hulitzky offer one of the most thoughtful, substantive and relevant perspectives on something that is anything BUT a fad.

Cloud computing has many dimensions to it. It has been created by a myriad of technical developments in the past couple of decades. It manifests itself in many different ways, and it just begs for clarity in its investigation, complex as that clarity might be.

These guys nail it, and in so many ways. Their exposition on the nature of modern business is worth the price of admission itself. And the way they make the nexus between that phenomenon and the state of IT in the clouds these days is brilliant. After all, no-one really cares about technology. People care about how it delivers sustainable business value. This book never loses focus on that matter.

Heads up IT professionals: When someone sends your CEO a copy of the article that appeared in the Economist a couple of years ago, entitled "The Long Nimbus", or Steve Lohr's recent article in the New York Times, entitled, "The Business Market Plays Cloud Computing Catch-Up", and your CEO sends you an email asking you to fill him or her in on what this Cloud Computing is all about, you're going to want to make sure you've already taken the time to read this book.

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[W645.Ebook] Fee Download The Issue with Antiquity. (History; Fiction or Science? Book 5), by Anatoly Fomenko, Gleb Nosovskiy

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'The Issue with Antiquity' is that 'Antiquity' never was as it is being taught to us in schools and universities. 'Antiquity' is an inevitable result of creation in XV-XVII centuries of a mythical Classical Age by misdating mediaeval events by hundreds and thousands of years as very ancient ones. That is why 'Antiquity' is being taught in junior forms. Kids just love tales, don' add the things up and ask teachers some awkward questions. The author dissects every historical age and analyses the data from every source imaginable – concensual chronology take a good beating, and it goes rapidly downhill from there. The material of 'The Issue with Antiquity' book crowns scores of years of meticulous and extensive research performed by the eminent mathematician Anatoly Fomenko and his colleagues.' This book is also the 5th volume in History: Fiction or Science? e-series, the fundamental oeuvre that exposes and expounds the numerous inveracities of the traditional version of history.

The e-series 'History: Fiction or Science?' contains data and conclusions that aren’t anything short of revolutionary. The alternatives offered to classical history are stunning, unorthodox to the extent of being labelled heretical by virtually every scholar of history, and daring enough to be considered preposterous at first sight, although this impression never lasts longer than it takes one to read a few pages attentively.

• Sales Rank: #571995 in eBooks
• Published on: 2015-07-22
• Released on: 2015-07-22
• Format: Kindle eBook

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15 of 16 people found the following review helpful.
Imaginary Numbers
By Arch Stanton
For people who don't know what these books are (ie. those who are sensible non-Russian adults) you're looking at the dry scholarly tomes of a mathematician who decided he didn't care fore the unimportance of Russia throughout ancient history and decided that this meant all history must be all wrong. Now I'm not dissing the Russians here. These ideas were rightly dismissed by Russian experts decades ago, except for the occasional eccentric mathematician and celebrity. That's why he's searching for a new audience: his books have sold just about as much as they ever will in Russia.

These books are a statistician's attempt to combat established history using page after endless page of charts and diagrams in the hope that people won't actually check through all these figures. At fifteen volumes in length it's a fairly safe bet, even though these books are extremely short (this one's only about 91 pages long, though it claims to be 362). But what's really amazing is how little digging it actually takes to find the repeated and obvious errors in his work. The man is so certain that he must be right that he sees no problem with forcibly altering the facts to fit his "theory" or accepting huge margins of error when seeking a parallelism.

You don't even have to wait for the book to begin for the errors to creep in. The title alone presents a false dichotomy. Fiction or Science? As if those are the only two options. And I have no doubt that Fomenko does indeed see it that way given his haughty dismissal of anything even loosely connected to the Arts. History is too close to the Arts and must be purged of anything that isn't a string of exact, quantifiable numbers. All similar number strings must be combined into the same string, and any "facts" or "historical personages" attached to those numbers must be purged as well. Nice, clean math. But it's more disturbing than just that. These books are a vast horde of Russian nationalic propaganda. Apart from ridiculing any non-Scientists (AKA those unqualified to form proper conclusions) the main goal of these books is to establish that Russia ruled all the world from North America through Europe into China and the Middle East, and they did so for most of recorded history. So his two assumptions about the world are:
1. All Non-Scientists are either liars or idiots.
2. Everything in the world originated in Russia.

One of these two assumptions is underlying every single one of his conclusions. He treats his random and unsupported speculations with just as much respect as ones that have been established through years of research backed by hard evidence. All Arts and Humanities subjects are regarded as worthless as sources of information and aren't even worth mentioning unless to state (not argue or prove) that they are wrong.

And now the history of the world as outlined in this book: History begins when Andronicos Comnenos dies and becomes Jesus. History records him as an unsuccessful Greek emperor with no real successes who was beaten to death by the mob and not a poor prophet from Nazareth who was crucified but hey, what do they know. It's not like the crucifixion was an important part of the story or anything. Immediately all of Europe decides that they're Christian and march against the Muslims. It may sound confusing why they'd blame the Muslims for what was an internal coup but they were probably just confused because Mohammed wasn't born yet. At some point they changed their minds and decided to skip the first three crusades and jump straight onto the Fourth (except that they didn't. It was actually the same as the First. Obviously. Please try and keep up). They then sacked Constantinople which was also Rome which was Troy which was Jerusalem. At some point they get confused and occupied the Holy Land as well and then forget all about Constantinople and let it fall back to the Greeks since Jerusalem was now Constantinople which was Troy which was Rome. People back then had very short memories often forgetting why they did something before they even did it. This is probably due to their lack of statisticians. During the First Crusade the Greeks decide to avenge the kidnapping of their queen by... also sacking Constantinople. After sacking their own city they quietly vanish for a few years, probably in embarrassment. Some time later Erasmus wrote the New Testament confusing generations of scholars who wondered what they had been copying out for all that time. Having now written a New Testament it was decided that they needed an Old one. I'm sure the reasons for the reversed order are as obvious to everyone else as they are to Fomenko. Some time in the 15th Century David rose up, except that he was Turkish and ruled in Constantinople. Despite the many wars with the Turks Europe had never warred with the Turks and accepted all of these events as holy writ. After all, the Turks were really Russian in funny hats and the Russians ruled the world. The Byzantines were secretly ruling in England. After the death of Solomon (Suleimon) the Jews split off from Christianity because they were tired of not being persecuted because of something they didn't do and decided that being hunted by the Inquisition was more fun. In the confusion the Catholics and Orthodox Christians split apart as well because everyone else was doing it and it seemed a good idea at the time. They were to regret this later when the Catholics sacked their city but that had already happened so it was fine.

It turns out that Russia has dominated the world since the earliest recorded history (what a shock!). The Mongols were not from Mongolia because the people there are nothing but worthless servants of the Russian Empire (it's ok. Fomenko assures us that the Mongols never knew of Genghis Khan until some pesky monks told them that they used to rule the world). Russia was actually the major Empire that the Romans were based off of and has existed since the dawn of civilization. Silly Georgians thinking they are anything but the personal property of Russia! Ha ha. They also controlled America, Europe and North Africa by 1300 so I guess that we should all submit to the Russian yoke as is our hereditary duty. Occasionally a czar would allow the governors of Europe (kings hah!) to wage war on each other if they pleased him. Presumably the English sucked up to him better than France which is why they did so well in the Hundred Years War but then lost his favor again which resulted in the French winning. Joan of Arc was probably the czar's sister or something. The czar could summon anyone to his court and they had to obey which is why Moscow is renowned the world over as being filled with better artwork and architecture than such dives as Paris and Rome (which isn't the REAL Rome after all). After Russia fell in the 1600s (through internal troubles. No one could EVER conquer Russians) the rest of the world immediately conspired to hide that they ever existed lest they should try to rule over them again. Thus they erased this empire from the history books and replaced it with such lies as Rome and the Holy Roman Empire (couldn't they even pick a new name? Obvious!). Thus the treacherous Romanovs rose to power (did I mention that he first published this under the Soviets?) and they too decided to forget there had ever been a Russian Empire of such a scale. Many "Roman" documents are simply Russian ones with a few name changes. Latin is merely a corrupted form of church Slavonic, despite bearing no similarity to that language. The Russians probably invented it to confuse future generations of schoolkids. They had after all had it engraved all over the southern part of their empire on specific styles of buildings which they immediately buried and built medieval cities on top of to confuse archaeologists. It never showed up in Russia itself. Perhaps they punished the provinces by making them write everything in Latin. Oh those cruel Russians. After the late 18th Century things begin to return to what is normally called history.

As you can see it is far less confusing than the 'conventional' timeline. You might think I'm making this up but that is what you get when you put all his history together. Minus the sarcasm perhaps.

Finally we've reached the parallelisms, the core of his argument. This is when things finally start to make sense right? Right?!? Well, this section is certainly informative, I'll give it that. It shows exactly how far Fomenko is willing to go. His basic argument is that regnal lists from different periods in history line up too precisely and must be duplicates. Therefore these kings have been duplicated and are actually the same person. Sounds a logical proposition, right? Umm, well it is at least a testable theory.

I really hope this book isn't representative of the operation of Russian academia. Facts don't fit your model? Numbers not adding up right? Don't worry about it! We can just make up some new ones and that'll make it all better. To show you what I mean I present his chronology of the early and late Roman emperors (for no apparent reason labelled the second and third Roman empires) along with added comments and corrected dates. Misspelled names are corrected in []:

Sulla, ruled four years (82-78 BC)
Aurelian, ruled 5 years (270-275 AD)
-Sulla became dictator in 82 and resigned in 81 (1 year)
-Correct (5 years)

Strife, less than one year (78-77 BC)
Strife, less than one year (275-276 AD)
-No Strife at all (0 years)
-Tacitus was emperor, though not for long (I'll give him his 1 year)

Sertorius, 6 years (78-72 BC)
Probus, 6 years (276-282 AD)
-Famous Roman rebel in Spain. Did NOT rule Rome. Active from 83-72 (Active 11 years. Ruled Rome 0 years)
-Correct (6 years)

Strife, 2 years (72-71 BC)
Strife, 2 years (282-284 AD)
-Spartacus Rebellion 73-71 (3 years)
-Carus ruled. No strife (Actually 0 years)

Pompey the Great, 21 years (70-49 BC)
Diocletian the Divine(?), 21 years (284-305 AD)
-Pompey was never unopposed. Spent most of his time at war (Influential for 21 years)
-Diocletian had colleagues. Only sole ruler for 2 years (Co-ruled for 21 years)

Joint rule of Pompey and Caesar (first triumvirate), 11 years (60-49 BC)
Joint rule of Diocletian and Constantius Chlorus (first tetrarchy), 12 years (293-305 AD)
-Pompey, Crassus, and Caesar had loose alliance from 60 on. The reason that it's called a triumvirate is that there were three of them. trio=three viri=men. It was never an official term. Crassus died in 53 (7 years)
-Diocletian ruled with Maximian from 286, Constantius and Galerius from 293. All ruled at same time. There was also never a second tetrarchy (Ruled with Maximian 19 years)

Strife, 4 years (49-45 BC)
Strife, 4 years (305-309 AD)
-Civil War lasted from 52-46 (6 years)
-Relative peace. More damningly nothing happened in 309 to validate a change from strife to non-strife. The date is chosen simply to match the first one (0 years)

Julius Caesar, the conqueror of first triumvirate, 1 year (45-44 BC)
Constantius Chlorus, the conqueror of first tetrarchy, 1 year (305-306 AD)
-Caesar had been ruling since at least 48. Held Rome since 52. And he never conquered the triumvirate since he was in it (4-8 years)
-Chlorus only just promoted to Augustus. Again, there only ever WAS one tetrarchy. And Constantius was a tetrarch till he died (1 year)

Triumvirate, 17 years (44-27 BC)
Tetrarchy, 18 years (306-324 AD)
-Antony dead by 30. Who were the other two triumvirs supposed to be? (Octavian unopposed 14 years)
-Tetrarchy died when Constantine killed Maxentius in 312 (6 years)

Augustus, the conqueror of the second triumvirate, 41 years (27 BC-14 AD) or 37 years (23 BC-14 AD)
Constantine, the conqueror of the second tetrarchy, 31 years (306-307[337?] AD) or 24 years (313-337) or 13 years (324-337) where 324 marks the death of Licinius
-Killed Antony in 30, but if he counts the period of co-rule with Constantine they why not with Augustus who ruled (or co-ruled) from 44 BC-14 AD? (58 years including co-rule. 44 sole rule)
-Doesn't the fact that he can have three different sets of dates for the same event, none of which match Augustsus, kind of show you how seriously messed up his process is? (31 years including co-rule. 13 years sole rule)
Please note what he does here. Constantine overlaps with the last one but Augustus doesn't. He's just removed 17 years without comment. You'll see more of that in a bit

The birth of Jesus Christ in the 27th year of Augustus (0 AD)
The birth of St. Basil the Great (the Great King) in the 27th year of Constantine (330 AD)
-Probably off (Herod died in 2 BC) but it is the traditional date.
-No way. Basil was born in 303. Constantine was still serving under Diocletian at that time. Also, "The Great King"? Where does that come from?

Tiberius, 23 years (14-17[37] AD)
Constantius II, 24 years (337-361 AD) or 21 years (340-361)
-Correct (23 years)
-Correct (24 years)

Struggle between Tiberius and Germanicus, 13 years (6-19 AD)
Struggle between Constantius II and Constance[Constans], 13 years (337-350 AD)
-Germanicus rose to command in 14. Tiberius didn't rule till 14 either (5 years)
-Constans is correct but he left out third brother Constantine II (13 years)

Caligula, 4 years (37-41 AD)
Julian, 2 years (361-363 AD)
-True (4 years)
-True (2 years)

Strife, less than one year (41 AD)
Strife, less than one year (363 AD)
-Claudius succeeded immediately after. No "Strife" (0 years)
-The "Strife" was Jovian's rule which he will list later (1 years)

Claudius, 13 years (41-54 AD)
Valentinian, 11 years (364-375 AD)
-True (13 years)
-True (11 years)

Joint rule of Claudius and Pallantius within the "triumvirate", not more than 13 years (41-54 AD)
Joint rule of Valentinian and Valens within the "triumvirate", 11 years (367-375)
-Pallantius never ruled. Also, there was no triumvirate after Augustus. Fomenko has no idea what he's talking about (0 years)
-Valens ruled from 364. Not sure why he changed it. 14 years is closer to 13 than 11 (14 years)

Nero, 14 years (54-68)
Valens, 14 years (364-378)
-True (14 years)
-True, but remember: Valens was only co-ruler. And a junior one at that (14 years)

Joint rule of Nero with Burrus and Seneca, 8 years (54-62)
Joint rule of Valens with Valentinian and Gratian, 11 years (364-375)
-Burrus and Seneca never ruled (0 years)
-Gratian didn't rule until after this time (0 years) Finally, a Match!

Joint rule of Nero and Seneca, 11 years (54-65)
Joint rule of Valens and Gratian, 11 years (367-378)
-Seneca never ruled (0 years)
-Gratian didn't rule until 375 (3 years)

Galba, 1 year (68-69)
Jovian, 1 year (363-364)
-True (1 year)
-I can't help but notice that Galba came after Nero while Jovian came before Valens. He's changing the order of dates again to make them fit. Also, he already listed Jovian's reign under a period of "strife" earlier (1 year)

Strife, less than 1 year (69)
Strife, less than 1 year (378)
-True, though it lasted MORE than one year (1 year)
-True, though again, it lasted MORE than one year. Gothic War not ended until 382 (4 years)

Two Vespasians, 12 years (69-81)
Gratian and Valentinian II (after the death of Valens), 13 years (379-392)
-True (12 years)
-Gratian died in 383 (4 years)

Domitian, 15 years (81-96)
Theodosius the Great, 16 years (379-395)
-True (15 years)
-True, though please note the comparison. Domitian was a persecutor while Theodosius was THE Orthodox Christian ruler after Constantine. Is this comparison one that Christian authors would wish to make? (16 years)

Nerva, 2 years (96-98)
Eugenius, 2 years (392-394)
-True (2 years)
-Eugenius isn't an emperor and 'rules' during Theodosius' rule. Date fudging again (0 years)

Joint rule of Nerva, 2 years (96-98)
Joint rule of Eugenius, 2 years (392-394)
-What's the point of listing them twice?

Trajan, 19 years (98-117) or 16 years (101-117)
Arcadius, 13 years (395-408)
-The first dates are true. Nerva died in 98 so why Fomenko would be confused I don't know. Probably because he wants to throw the dates into doubt (19 years)
-Arcadius was co-ruler with his brother Honorius (13 years)

Adrian[Hadrian], 21 years (117-138)
Honorius, 28 years (395-423)
-True (21 years)
-Honorius was co-ruler with his brother Arcadius so he can't be matched with Hadrian who succeeded Trajan (28 years, but when brother's years are removed only 9 years)

Antoninus Pius, 23 years (138-161)
Aetius, 21 years (423-444) or 14 years (423-438)
-True (23 years)
-Aetius wasn't emperor, didn't 'rule' until 430s. and was the most important man in the state until he died in 454 (0 years)

Marcus Aurelius, 19 years (161-180)
Valentinian III, 18 years (437-455) or or 11 years (444-455)
-True (19 years)
-Valentinian ruled since 425. Please note he's counted as co-ruling with Aetius. More date fudging (30 years)

Commodus, 16 years (176-192) or 12 years (180-192)
Recimer [Ricimer], 16 years (456-472)
-Ruled after 180 (12 years)
Ricimer never ruled (0 years)

Pertinax, less than 1 year (193)
Olybrius, less than 1 year (472)
-True (1 year)
-True, but skipped over 5 other emperors (1 year)

Didinus[Didius] Julianus, less than 1 year (193)
Glycerius, less than 1 year (473,474)
-Didius Julianus lasted 2 months (1 year)

Clodius Albinus, less than 1 year (193)
Julius Nepos, less than 1 year (474)
-Usurper who never gained recognition. Lasted til 197 (4 years if you count it. 0 if you don't)
-Ruled just over 1 year (1 year)

Pescennius Niger, 1 year (193-194)
Romulus Augustulus, 1 year (475-476)
-Usurper who never gained recognition (1 year if you count it)
-True (1 year)

Septimius Severus, 18 years (193-211)
Odoacer, 17 years (476-493)
-True (18 years)
-True, but not a Roman. Empire fell with Romulus Augustulus. Odoacer was a Goth (17 years)

Caracalla, 24 years (193-217) or 6 years (211-217)
Theodoricor[Theodoric] the Great, 29 years (497-526) or 33 years (493-526)
-Ruled after 211. technically co-ruled after 209 but certainly wasn't doing any ruling in 193 at the age of five (6 years)
-The later date is correct. Still not a Roman though. Gothic king of Italy (33 years)

Note that in that entire chart there are only 4 that match exactly (Including the periods of "strife") and a few others that come close. Please also note that the period from 82 BC to 217 AD is 299 years long while the period from 270 to 526 is 256. So somewhere in a span of less than 300 years he managed to lose 43 of them. That's 1/6 the total years he's dealing with. Yet if you look at his chart the length matches almost exactly. That should tell you a lot about how precise he's being.

A moment's glance should tell anyone how lethal this is to his argument. If he's arguing that the standard regnal lengths are too precisely similar to be a coincidence then he needs to use those same regnal lengths. He can't just make them up or he's just showing a similarity between two imaginary numbers of his own invention.

But it gets even worse than this though. Fomenko actually claims to see patterns in the emperors being "duplicated". He helps himself here by creating an arbitrary start date. Sulla was neither the first nor last to seize sole power in the Republic and Aurelian was but the forerunner to Diocletian's reformed Empire. So what reason could Fomenko have for choosing to start with them? They're matched because both were remembered for their cruelty. How clever. Bravo good sir. Well done. Find two people renowned for their cruelty and force them to merge into one. That's exactly the kind of wooly thinking I've come to expect from these books. As usual Fomenko has forced a parallel without mentioning that he's changing things around to do so. Ignoring the fact that Aurelian's reputation for cruelty comes from the Historia Augusta, which is almost as pseudo-historical as this work, the simple fact of the matter is that the two have basically nothing else in common. Sulla's reforms vanished within a decade of his (natural) death while Aurelian's paved the way for his more successful successor Diocletian. Following this we again see Fomenko's number fudging. The use of Strife to cover any periods that don't match is the most obvious one. Another is the use of Sertorius as a counterpoint to Probus. Probus was indeed a 3rd Century emperor but Sertorius was a Roman rebel, albeit a famous and not wholly despised one. Given the number of Roman armies sent against him it seems hard to believe that he was ruling Rome from all the way over in Spain.

Diocletian and Constantius Chlorus are also radically altered. Again Fomenko has distorted the facts to make it fit by removing participants. Diocletian had three colleagues not merely one. What's more Constantius wasn't his main colleague but merely his junior partner. Maximian was Diocletian's partner in government and he ruled not from 293-305 but from 286. But using him would throw Fomenko's calculation off, especially given how much importance he gives to Constantius. He calls Constantius Caesar's double even though he did nothing to merit such a comparison. When Diocletian resigns he lists one of his periods of strife and says that Constantius conquers the Tetrarchy as Caesar conquers the Triumvirate. Both are wrong but to focus on Constantius all that he does to conquer the tetrarchy is die. Within a year of Diocletian's resignation he's dead so how he's able to posthumously conquer the tetrarchy is beyond me. Inasmuch as the tetrarchy was destroyed not conquered (which may be a translation issue) it was done by Constantius' son Constantine who spent not four years but twenty changing the tetrarchy into a monarchy. As for Caesar he didn't conquer or even destroy the triumvirate. It was never a formal system. When Crassus died in 53 and Pompey refused to grant Caesar a consulship in 50 the alliance ended. If anyone 'conquered' it it was Pompey who maintained his authority by denying Caesar protection from his enemies. So while I suppose Constantine could be compared to Caesar his father can't which ruins Fomenko's 'theory' by throwing the dates off. An amusing association is between Caligula and Julian. Caligula was a well-known sadistic tyrant (although Fomenko says little is known of him) while Julian was an (over)educated man who tried to bring paganism back. But of course they're the same person because they both wore the military sandals (caligae) which gave Caligula his name. The fact that all Roman Emperors wore such sandals while on campaign is skimmed over. So just to be clear: all the most important figures bear no resemblance to their supposed double, and the few similarities he can find are too facile to mean anything.

A few of my favorite examples from his more detailed comparison:
Both Augustus and Constantine relied on the military to get them into power.
Good point Dr. Fomenko. Good point...

"Belisarius is a military leader. Justinian is an emperor. The relationship is initially a benevolent one, but ends in a quarrel.
Caesar is a military leader. Pompey is a number one public figure. Friends initially, foes eventually.
Achilles is a military leader. Agamemnon is the 'principal royalty'. Friends at first, enemies afterwards.
Valerius is a military leader, while Tarquin the Proud is the 'main king'. Hostile in the beginning; mortal enemies afterwards." (page 195)
Now let me try one: General McChrystal is a military leader. President Obama is a 'president.' The relationship is initially a benevolent one, but ends in a quarrel. Hey, that's kinda fun! Good thing there can't possibly be more than one person that vague and unconvincing comparison could describe.

And my personal favorite: "Second Empire. A while ago Tiberius was adopted by Octavian Augustus. Tiberius is known to have died being 'strangled with blankets.' In a sense, this death may be considered unexpected.
Third Empire. Constantius II is the son of Constantine I. Constantius II, as historians tell us, 'died unexpectedly.'"
Death by blankets is 'unexpected' now? What gives? Seriously, how a dying 78 year old man being hurried to his death can be compared with a 44 year old man dying of an illness in the prime of life is beyond me.

So now you see the problems with his comparisons. They're either hopelessly vague or they take one case and force it to fit another. So basically what Fomenko has shown is that human life is repetitive. Even that he can't do without messing with the evidence. And speaking of the evidence, there is something seriously wrong with his way of footnoting. In the bibliography at the back he assigns every book a number and then uses that number in the text. I don't know if that's standard for Russian Mathematical works but it certainly isn't for English historical ones. Or French ones. Or German ones.. Or Italian ones... And there's a good reason no one uses it, it's confusing. You have to go all the way to the back of the book and scroll through hundreds of books to find the one you want, only to find that it's in Russian anyway and hasn't been updated since before the Russian Revolution. There are actually a large number like that. 767 is from 1938 which makes it relatively new. I guess he didn't want to use any books he hadn't already read in childhood. This sourcing method is really frustrating when he gives non-standard citations for standard sources. For example: Plutarch. Fomenko states that Plutarch calls Sulla an Emperor. Since such an office didn't exist in the Republic I decided to look up what word he was mistaking for 'Emperor.' But the citation is this: ([660], Vol. 2, pages 137-138). If you look that up in the Bibliography you find: Plutarch, Comparative Biographies, Vol. 1: Moscow, USSR AN Press, 1961. Since I don't read Russian I have no way of finding that page. This is why proper historians use chapters and verse (like the Bible) to identify their sources. These don't vary with the translations. And while it's hard to judge from a title, that book doesn't sound like it's in Greek. Which means that he's basing his statement about a technical term on a book that translated that technical term for him. The point is that I can't check up on it since he does such a bad job with his sources.

This is entirely in keeping with Fomenko's bias and standards of evidence. Brutus is associated with a whole slew of people because Fomenko decides his name comes from 'brat' which means brother. The problem is that 'brat' is a RUSSIAN word meaning brother. He passes by that without question but he's basically assuming that Russian is the originator of all languages. That would be like me claiming Caesar was a sailor since his name is similar to the word 'sea.' It is decidedly typical of Fomenko's extreme nationalistic agenda to assume that everything revolves around the Russians. A minor example of his standards, but an amusing one for me, is his statement that Caesar was called Emperor on coins decades before that office even existed. This is particularly amusing for me since Caesar BECAME the word for emperor as did Augustus after his successor. The Romans never really developed a word for Emperor outside of using those two names. It'd be like claiming that Martin Luther King can't have been from the '60s since America wasn't a monarchy at that time. This is the same question I asked above from his references to Plutarch. The word he's probably referring to though is Imperator which means general, not Emperor. Eventually the Emperors would associate that word so strongly with their power that it would become impossible to untangle it but that was centuries in the future. Another possibility is that it refers to the title of princeps which means the first man of the state. While Augustus made that title a permanent feature of Imperial titulature it originally meant exactly what it said. The leader of the senate had been called the princeps senatus for ages. For Plutarch the options are autocrator (Greek for Imperator), Sebastocrator (Augustus), Kaisar (Caesar), or basileos (king). Since he doesn't say which word it is all that can be done is guess. Fomenko's Latin is apparently as bad as his translator's English.

2 of 2 people found the following review helpful.
Don't waste your time (or money).
By Curtis Hinsley
Total nonsense.

2 of 6 people found the following review helpful.
Awkward Ideas
By bonda
Benedictine Monks invented and perfected Roman and Greek languages wrote the whole literature of ancient Rome and Greece in XIV-XVII centuries. During the same period teams of artists from Rome and Florence have mass produced antique artifacts. Demand for 'ancient' artifacts from Holland, England and France was good, supply from Italy and Spain was adequate. Those were not the Renaissance, but Naissance times. Fancy 'ancient' sounding names 'proved' the authenticity of goods delivered.

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[O862.Ebook] Fee Download Coarticulation: Theory, Data and Techniques (Cambridge Studies in Speech Science and Communication)From Cambridge University Press

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The variation that a speech sound undergoes under the influence of neighbouring sounds has acquired the well-established label coarticulation. The phenomenon of coarticulation has become a central problem in the theory of speech production. Much experimental work has been directed towards discovering its characteristics, its extent and its occurrence across different languages. This book is a major study of coarticulation by a team of international researchers. It provides a definitive account of the experimental findings to date, together with discussions of their implications for modelling the process of speech production. Different components of the speech production system (larynx, tongue, jaw, etc.) require different techniques for investigation and a whole section of this book is devoted to a description of the experimental techniques currently used. Other chapters offer a theoretically sophisticated discussion of the implications of coarticulation for the phonology-phonetics interface.

• Sales Rank: #3269432 in eBooks
• Published on: 1999-12-09
• Released on: 1999-12-09
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Important book
By Kevin B. Cohen
This is an important book if you're interested in coarticulation, and if you are, you should definitely have it. Great chapters on a variety of topics, some of which present data, some of which talk about theoretical implications of data, and some of which talk about instrumental techniques for data-gathering.

1 of 1 people found the following review helpful.
Not the last word on coarticulation, but a should-read
By Karen Chung
Because this is a collection of papers by different authors, quality and style vary from chapter to chapter, but there are few wasted words, and hardly a sentence without a kernel idea worth taking the time to understand. On the other hand, it is a difficult and demanding book to read cover to cover, and most readers will probably prefer to focus on areas of particular personal interest rather than tackling the whole volume at one go.
Chapter 1, entitled "The origin of coarticulation", discusses what causes coarticulation, a history of the investigation of coarticulation, and how coarticulation develops in children¡¦s speech. A series of coarticulatory models is reviewed, including Lindblom's 'target undershoot' model of the 1960s (p. 16), Oehman's observation that two vowels interact with each other across intervening stops (p. 17), Wickelgren's idea that we store not phonemes in our brains but collections of context-sensitive allophones (p. 18), up to Keating's 'window' model of the 1980s (p. 21), in which every feature of a segment is associated with a range of values rather than an absolute target.
Part II is entitled "Research results: components of the motor system for speech". Each chapter features a key articulatory organ or organ complex: the velopharyngeal complex, the tongue, the larynx, the lips, and the lips and jaws.
Part III provides a home, under the catch-all classification of "Wider perspectives", for two chapters that did not quite fit elsewhere, "Cross-language studies on articulation" and "Implications for phonological theory".
The chapters of part IV, "Instrumental Techniques", report on the state of the art of various specialized methods and instruments for performing articulatory and acoustic measurements. The methods presented are: palatography, X-ray, computed tomography (CT), magnetic resonance imaging (MRI), ultrasound, electromagnetic articulography (EMMA), electromyography, transducers for investigating velopharyngeal function (including aerometry, electromyography, various acoustic methods, radiography, endoscopy, photodetection, various mechanical devices, ultrasound, MRI, and EMMA), and techniques for investigating laryngeal articulation (including fibreoptic endoscopy, transillumination, electromyography, pulse-echo ultrasound, acoustic analysis with inverse filtering, glottography, and the Sondhi tube).
The final chapter of the book addresses use of the spectrograph and other acoustic tools in studying coarticulatory phenomena. This chapter gives examples of how to do acoustic analysis of formant transitions, the stable portion of a vowel, stop release, fricative noise, nasals, liquids and glides, voicing and tone, and duration and intensity. This is a laudable beginning, but there is room for much more to be done in this area.
While this book is overall very tight in structure and rich in content, it is not by any means the do-all, end-all work on coarticulation. There are a number of areas not covered in this book that I would like to have seen, and hope to see in future works, such as: what really happens between *words* in running discourse?
This book is a good beginning of more serious and concentrated work on coarticulatory phenomena than has previously been seen. Hopefully many more such studies will follow.

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The Nutcracker Ballet, by Vladimir Vagin

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This beautifully illustrated adaptation of the Nutcracker delivers timeless magic and wonder right to your fingertips. A paperback edition offers front-row tickets to this beloved holiday tradition.

It's Christmas Eve in 19th century Europe. And on this magical evening, young Clara's eccentric godfather has given her a beautiful wooden nutcracker.

As midnight strikes, Clara's wooden toy transforms into a handsome prince, and Christmas quickly becomes even more enchanting. The prince takes Clara on a romantic overnight adventure into a dream world of delicacies called the Land of Sweets.

Clara's adventure ends as she wakes up snuggly tucked in her bed. As she embraces her nutcracker, she realizes that the best part of Christmas...is the magic it brings.

• Sales Rank: #81098 in Books
• Color: Paperback,
• Brand: Scholastic Paperbacks
• Published on: 2002-10-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.75" w x .25" l, .30 pounds
• Binding: Paperback
• 32 pages

From Booklist
Ages 6^-9. Vagin's intricate period watercolors, not the straightforward telling, will pull readers into this story. Clara and the other children dress in formal nineteenth-century clothing and are lovely; Herr Drosselmeier dons a black cape and an eye patch and is just strange enough to be effective; the Nutcracker stands tall, proud, and well polished (so does the prince); the Mouse King and his soldiers are dark and nasty; and the inhabitants of the Land of the Sweets have a fantastical, dramatic quality about them. The paintings are rich and dense, and Vagin's ability to capture the flavor of the different cultures reflected in the various dances lends credibility and appeal to his version of the story. Children will pore over the details in the Christmas tree decorations, costumes, architecture, and landscapes and always discover something new. Kathy Broderick

Review
"Vagin's ability to capture the flavor of the different cultures reflected in the various dances lends credibility and appeal to his version of the story. Children will pore over the details in the Christmas tree decorations, costumes, architecture, and landscapes and always discover something new." – Booklist

"A new and attractive rendition of a perennial favorite" - SLJ

"...Vagin's lush illustrations take playful liberties with perspective and echo the illusory nature of Tchaikovsky's ballet." - PW

About the Author
Vladimir Vagin lived in Russia until he moved to the United States in 1990. Mr. Vagin has illustrated several books for children, including Katherine Paterson s The King s Equal and Celia and the Sweet, Sweet Water. He lives in Middletown Springs, VT.

Most helpful customer reviews

27 of 27 people found the following review helpful.
A story told with clarity and illustrated with detail
By Judy K. Polhemus
The Nutcracker Ballet--beloved by children, supported by adults, an opportunity for young ballet students to dance and traipse the boards. Ah, the Nutcracker!

Do you remember your first time to see this wonderland of ballet? Were you as confused as I was? Before ever taking a child to this ballet, please introduce her or him to the story. "The Nutcracker Ballet" by Vladimir Vagin is a story told with clarity and illustrated with detail. It's a great place to start.

On the two pages following the title page is a row of houses, one of which is the setting for the party. Since the time period is the late 1800's, when Peter Ilyich Tchaikovsky composed the music for the story by E.T.A. Hoffman, attention to period detail is important.

The top half of the first page of the story shows children peeking through the keyhole (remember those?) at the adult party inside. On the wall is a sconce of glowing, lighted candles. Parquet floors are shown in the M design. In the bottom half is the script wrapped in gold bars and red ribbons and bedecked with holly. A beaded ribbon is tied around a single walnut sitting atop the I of It in the narrative.

The next page shows a decorated tree, including little lighted candles as was once popular before electric lights. The detail is truly incredible.
What is most helpful, however, is the clarity of the story. This is a book in which text and illustration work together to tell a magical story: a battle between good and evil with Clara, the girl, striking the winning blow.

The VERY BEST aspect of this version is the perspective. The child/viewer is right there on the floor at eye level with the soldiers and mice, almost a part of the battle scene. It's a little scary, but not if that child is sitting next to you or in your lap.

The page that shows the prince's Castle Land is truly fantastic: the Land of Sweets that looks like a confectioner's greatest fantasy. Pink trees with peppermint in various colors, topiary trees of more fantasia shapes and colors, gingerbread houses and spires. Nothing is simple or plain.

The Sugarplum Fairy is most striking of all. Instead of a confection color, she is wearing a black dress highlighted by plum blossoms, leaves, and ripe plums. Her attendants are more like angels from medieval paintings. It is all so delightful.

And at the end, when Clara awakes from her dream and has had her adventure, she realizes that "magic is the best present of all." Beautiful, beautiful, beautiful.

Now your child can go to the ballet and understand the story. I did.

9 of 9 people found the following review helpful.
A Perfect Introduction To The Nutcracker
By Karen Joan
In anticipation of taking my 3 ½ year old to see The Nutcracker for the very first time, I purchased Vladimir Vagin's THE NUTCRACKER BALLET (which was highly recommended by a friend), so that I could familiarize my daughter with the story. She already recognizes most of the music from The Nutcracker Suite (and can tell you the names of the different pieces!), but I also wanted her to understand the basic story. THE NUTCRACKER BALLET is not only an excellent retelling of the story told in the ballet; it is also quite beautiful to look at.

The illustrations in THE NUTCRACKER BALLET are exquisite. They are vivid, colorful, detailed, and drawn from the perspective of a young child. My wee one was drawn to these lovely images; she commented on each one and asked intelligent questions. When we got to the Land of Sweets, she was utterly enchanted. She loved the dancers' clothes, Clara's gown, and of course the Sugar Plum Fairy. The story in THE NUTCRACKER BALLET is simply told. My child was able to follow along easily and understood the story. In fact, even I learned a thing or two about The Nutcracker, and I have seen the ballet countless times!

THE NUTCRACKER BALLET really helped my daughter understand and enjoy The Nutcracker on stage. She watched intently, her eyes bright and shining. She loved the music, the dancing, and the story. We had a marvelous time. For anyone planning to attend a performance of The Nutcracker, I highly recommend this book. It will truly add to your child's delight of the event.

1 of 1 people found the following review helpful.
Vladimir Vagin's The Nutcracker Ballet is a must-have classic!
By Ashley Paige
This book is an EXCELLENT version of the classic--THE classic story of the nutcracker! I had previously bought another version, excited to share it with my little girl. I was so disappointed when I started reading to her about a girl named "Marie!" It wasn't at all what I wanted, so I was thrilled to find Vagin's book. It is the exact same story you see in the beautiful ballet productions, with the little girl "Clara"--the true classic that all little ballerinas should know. It is short enough to hold the attention of my five-year old, and the illustrations are absolutely beautiful. A definite must for your little ballerina!!!

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[F729.Ebook] Ebook Family of Lies: Sebastian, by Sam Argent

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Family of Lies: Sebastian, by Sam Argent

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Sebastian Orwell did the only thing a smart wizard could do when he stumbled upon the wounded Crown Prince: he healed him and dumped him in a tavern where he could continue not being Sebastian's problem. Unfortunately, the prince isn’t content with being alive, and he hunts Sebastian down to thank him personally. Not only is Sebastian stuck with the prince's unwanted affections, he's also confronted by growing evidence linking the assassination attempt to someone from his father's past.

Lord Orwell is a lot of things: thief, liar, drunk, and all around horrible father, but Sebastian knows he's no murderer. In order to prove it, Sebastian has to keep the prince alive long enough to discover the truth―a task made considerably harder because the idiot prince prefers wooing Sebastian over securing his own survival. On top of everything, Sebastian needs to save the day without revealing his magical powers and the real reason he hides his appearance.

Sebastian had no intention of playing the hero, but whoever is stirring up shit in his country will pay for destroying his quiet life.

• Sales Rank: #849111 in Books
• Published on: 2015-03-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .68" w x 5.98" l, .96 pounds
• Binding: Paperback
• 324 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Family chaos and disappointment!
By Stephanie S
This book confused me so much! I loved that the book followed a big chaotic family but the chaos got to be too much for me! I had no idea how many family members there were and they just kept coming throughout the book, and then you had to keep track of spouses and who was married to who. Then the family would talk over each other and the Author wasn't very clear who was saying what! I had to go back and re read too many times and only half the time I could figure it out after rereading it.
I loved the main character and the mystery behind him and his cloak, but I was unconvinced by his sudden change of feelings for the prince from distain to kissing him and love.
Then there was the prince and his cheesy love speeches! So annoying I had to skip them!
This book has potential! But it feels like the first draft of a really good story!
I would not recommend, but would be willing to re-evaluate if the Author came out with an new edit of the story.

0 of 0 people found the following review helpful.
... dialog and hidden plot devices made this fantasy a great read. I loved the characterization of a crazy ...
By M. Ben Culmyer
The terse dialog and hidden plot devices made this fantasy a great read. I loved the characterization of a crazy family dynamic. It sounded like a realistic and accurate account of a family that initially you might think hated each other but strongly pulled together in a clinch, belying their surface animosity. These antics plus the romance at the heart of the story interested me into re-reading the book three times so I could catch all the action, attitudes and plot threads. Sebastian's Mr. Grumpy Pants act was a hoot! Normally in a book like this, the prince comes off as too virtuous, however, his horny side was revealed, unexpectedly. Wonderful writing, best illustration of less is more. Makes your imagination dig for it. Loved it. Can't wait for the sequel.

0 of 0 people found the following review helpful.
who should know better behaved in the book
By Ginger
This book was okay, I frequently found myself frustrated with the way the adults, who should know better behaved in the book. For them to be all knowing and royalty they more often than not acted like immature children. Especially Sebastion's (one of the main characters) father, he always knew more than he would share, even with the readers, and it led to a bunch of unnecessary confusion that put many people in danger. I really wanted to like this book and for the most part it was okay, but it definitely left me frustrated and wanting more.

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• Sales Rank: #6716523 in Books
• Published on: 2012
• Binding: Paperback

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