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Cohen's life is one of singular mystique. At age 78, he is considered, by women and men of all ages and backgrounds, one of the sexiest, classiest, coolest, and most enigmatic figures in the public eye.This major indepth biography is the book Cohen fans have been waiting for. Acclaimed writer/journalist Sylvie Simmons interviewed more than 100 people frim Cohen's life and work, including his main muses; the women in his life -- from Suzanne and Marianne to Rebecca de Mornay and Anjani Thomas; artists such as Rufus Wainright, Nick Cave, David Crosby, Judy Collins and Phillip Glass; his record producers, his closest friends, from childhood to adulthood; and many of the spiritual figures who have influenced his life.
Thoroughly researched and thoughtful, penetrating and lively, revealing of stories and facts never before read about, I'm Your Man offers new perspectives on Cohen and his life. It was one of the most talked-about books of 2012, and will be for years to come.
- Sales Rank: #1026650 in Books
- Published on: 2013-10-29
- Released on: 2013-10-29
- Format: International Edition
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.55" w x 6.07" l,
- Binding: Paperback
- 576 pages
From Booklist
*Starred Review* As a teenager in Montreal, Leonard Cohen learned six chords on a guitar from a young Spanish teacher that would form the foundation for all of his songs. In this compelling biography, Simmons chronicles the career of the courtly, elegant—“I was born in a suit”—singer-songwriter, poet, and novelist, from his first band in Montreal (a country-and-western trio, no less) to his early days in New York, where he lived at the famous Chelsea Hotel, to his most recent world tour, during which the seventysomething Cohen literally skipped onstage. Simmons includes fascinating anecdotes—Cohen meeting Judy Collins, who would later record one of his signature songs, “Suzanne”; encountering fellow Canadian Joni Mitchell in Greenwich Village (Mitchell’s “A Case of You” was inspired by Cohen); scary recording sessions with the gun-toting record producer Phil Spector, and spending time at a Zen monastery. Simmons also discusses at length Cohen’s impressive body of work, including poetry and prose as well as songs (his iconic “Hallelujah” has been covered by more than 300 artists), mentions his numerous bouts of depression, and recounts his unfortunate financial difficulties when his former manager stole funds from his retirement account. A must for anyone interested in one of the most influential songwriters of our time. --June Sawyers
Review
Praise for I'm Your Man
• "I'm Your Man is the major, soul-searching biography that Leonard Cohen deserves." -- Janet Maslin, New York Times
• "The most comprehensive Cohen biography to date. . . . I'm Your Man will be the go-to text for the next few years as it has all the key stuff -- about the two Suzannes, life on the Greek island of Hydra, hanging with Irving Layton, freaking with Phil Spector during the 1977 recording of Death of a Ladies' Man, monking about with Sasaki Roshi on Mount Baldy, romancing Rebecca de Mornay, the triumph of Hallelujah. . . ." -- Globe and Mail
• "Impresses with its thoroughness. . . . Simmons' assiduous research easily earns her work the 'definitive' label." -- Toronto Star
From the Back Cover
The legend behind such songs as “Suzanne,” “Bird on the Wire” and “Hallelujah” andthe poet and novelist behind such groundbreaking literary works as Beautiful Losers and Book of Mercy, Leonard Cohen is one of the most important and influential artists of our era, a man of powerful emotion and intelligence whose work has explored the definitive issues of human life—sex, religion, power, meaning, love. Cohen is also a man of complexities and seeming contradictions: a devout Jew, who is also a sophisticate and ladies’ man, as well as an ordained Buddhist monk whose name, Jikan—“ordinary silence”—is quite the appellation for a writer and singer whose life has been anything but ordinary.
I’m Your Man is the definitive account of that extraordinary life. Acclaimed music journalist Sylvie Simmons crafts a portrait of Cohen as nuanced as the man himself, drawing on a wealth of research that includes Cohen’s personal archives and more than a hundred exclusive interviews with those closest to Cohen—from his lovers, friends, monks, professors, rabbis and fellow musicians to his muses, including Rebecca De Mornay, Marianne Ihlen, Suzanne Elrod and Suzanne Verdal—and most important, with Cohen himself, whose presence infuses these pages.
Starting in Montreal, Cohen’s birthplace, where he first found fame as a poet in the fifties, Simmons follows his trail, via London and the Greek island of Hydra, to New York in the sixties, where he launched his music career. From there she traces the arc of his prodigious achievements to his remarkable retreat in the mid-nineties—when on the cusp of marriage to a beautiful actress and enjoying the success of his best-selling album to date, he entered a monastery on a rocky mountaintop above Los Angeles—and finally to his reemergence for a sold-out world tour almost fifteen years later. Whether navigating Cohen’s journeys through the back streets of Mumbai or the countless hotel rooms where he has stayed along the way, Simmons explores with equal focus every complex, contradictory strand of Cohen’s life—from the halls of academia to the arenas of rock ’n’ roll—and presents a deeply insightful portrait of both the artist and the man whose vision, spirit, depth and talent continue to move people like no one else.
Most helpful customer reviews
18 of 18 people found the following review helpful.
"Hallelujah"...
By John P. Jones III
It was in the winter of 1969, June to be precise, and it was refreshingly cool for a change. An interlude. Seven days away from the war, and I am not speaking of the one between the sexes. As would happen so often in subsequent years, the lyrics rolled around in my brain, as I stood on the shore of Sydney harbor: "...and the sun poured down like honey, on our lady of the harbor." The sun indeed felt like honey in the coolness... and there was so much more, just in that one song: that eternal aspiration for someone who liked his physics: "...and she gets you on her wavelength, and makes the river answer, that you have always been her lover..." `Lo these many years later, and thanks to the truly excellent biography by Sylvie Simmons that I finally learned that the harbor was Montreal, and the China that had been (relatively) so near to me, for the past ten months, the origin of those famous teas and oranges that Suzanne so graciously provided, had a local market run by some folks equally far from home, in that most beautiful of Canadian cities. Sure, the version that I loved was sung by Judy Collins, but I had tucked away in one of those cranial recesses, that the man who had provided a bit of peace, tranquility, inspiration, and even a bit of hope was Leonard Cohen.
Cohen actively collaborated with Simmons in this impressive work. Typical of the ever so self-deprecating Cohen, he just wanted to make sure it was not a "hagiography," and it is not, and is all the stronger for it. It is a fitting tribute to him, and proved to be an essential read. There were so many missing pieces between the lyrics, and so much background for them, and Simmons provides much, but is content to leave some ambiguity on the table, just as Leonard would have.
Leonard Cohen's ancestors, Lithuanian-Russian Jews arrived in Canada in 1860. When Leonard came around, in 1934, the family was prosperous upper middle class clothiers, and hence his tastes for suits, which is referenced in the title to the first chapter. He explored the docks and bars of Montreal in his youth, attended McGill University, wrote some good poetry, but as most folks know, you can't make a living that way, which forced him into music. Off to NYC, a couple of the right intros, and he was off to continued obscurity in the United States, but developed a strong following in Europe. He lived on the Greek Island of Hydra, where he met the Norwegian model, Marianne. He is a "Lady's Man," but not the type that would "notch a bedpost"... with the right chemistry, things just seem to happen. He lived with fellow Canadian Joni Mitchell for a year, and told the world once about a tribute from Janis Joplin in the Chelsea Hotel. "You can't tell the players without a scorecard," as they once upon a time cried at the stadium entrance. But Leonard seemed to be scorecard-less, summed up with his classic line: "I can't keep track of each fallen robin."
Like Sir Richard Francis Burton before him, he tried on a few religions, reflecting the spirituality of his lyrics. He found a guru, of sorts, but mainly a friend, in Roshi, Joshu Sasaki, who is still alive at 107, and is famous for saying "Excuse me for not dying." (The most recent controversies concerning Roshi, surfacing in 2013, did not make this bio, published in '12). Cohen became an "ordained" Buddhist monk under Roshi's guidance... but then went off to India, in search of a Hindu guru. While being a monk, he was betrayed by his long-time financial manager, Kelley Lynch, and lost all his retirement money. The world, and perhaps Leonard, is better off for it. He "dusted himself off" and at the age of 73, skipped back out on the world stage, performing concert after concert to sell-out crowds, recouping his losses and more. And it was no "farewell tour," some of his best work may have been produced in conjunction with it, complementing the subject "Hallelujah". On tour, his wit was always with him, and he'd tell the audiences that the last time he was on tour he was "sixty years old, just a kid with a crazy dream."
His most fervent fan-base will appreciate his comments on aging:
"Everything changes as you get older; I never met a woman until I was sixty-five. Instead, I saw all kinds of miracles in front of me."
And there is so much else in this very excellent biography, in which Simmons weaves his lyrics, for the "au courant," and presents balanced assessments, just as you might imagine Leonard doing. Europe and the United States. I thought Simmons nailed the qualities of Cohen's music perfectly: "dark humor, old-world romance, existential gloom and poetry." Why is this so much more popular in Europe than in the United States? A question to discuss, but never to answer, so cherie, just "Dance Me to the End of Love." 6-stars.
1 of 1 people found the following review helpful.
Biography from a room.
By john e reynolds
last week I took Ms. Simmons "I'm your man" out on the road with me for a second read. Here are my thoughts after that pass.
This book reads like literature, and to me, that is everything. The authors idiosyncratic voice and style shine through just enough to light the many rooms her subject (Mr. Cohens life) inhabits. This is a working journalist, writer and songwriter doing what she does best, working.
I honestly did not know about her vast body of work before reading this book and so have had the luxury of going back through years of the top music publications that are rich with her prose. I suggest you do the same, you will be better for it.
"I'm your man" is excellent and I want to Thank Ms. Simmons for writing this gem of a biography.
Now on to "A fistfull of Gitanes."
Sincerely,
John Reynolds
3 of 3 people found the following review helpful.
This the absolutely most wonderful "read"! Perhaps this may be due to the ...
By ocean1
This the absolutely most wonderful "read"! Perhaps this may be due to the forthcoming but still quite elusive nature of the subject himself, so very skillfully negotiated by this adept author! A previous reviewer noted the unexpected urge to reread the biography once finished. The next is so much better understood with the knowledge gleaned from the first go! I have now enjoyed quite a few of the books, recordings and dvd's mentioned as sources therein. Very tasteful and balanced with just the right amount of investigation and respect for privacy, this biography provides a field guide to the elusive habits of the stranger who has now become the favourite sage.
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